The Dor Brothers
AI vs a Traditional Shoot
An AI commercial needs no crew, no set and no location. A shoot records what is really there. When to use which, from a studio that makes films with AI and tells clients when to shoot instead.
The Dor Brothers
An AI commercial needs no crew, no set and no location. A shoot records what is really there. When to use which, from a studio that makes films with AI and tells clients when to shoot instead.
When the film is an idea to be pictured: a world, a scene or a scale with no crew, no set and no location behind it. APEX, a three-minute action film, was made in one day.
When something real has to be documented: a documentary, a testimony, somebody telling their own story to the camera in close-up. We tell clients so.
Footage that was filmed can be finished with AI. The studio made the AI visual effects for Yamaha’s TMAX commercial.
The idea, the script, the edit, the sound and the colour are made as for any commercial. Only the pictures are made another way.
APEXFilm
A three-minute action film, made in one day with AI. Nothing was filmed: no camera, no set, no actors.
The Story
eToro – Watch the Market MovesCommercial
eToro’s commercial for its New York launch: the bull and the bear in a dance-off in Times Square. The film and the billboards were all made with AI.
The Story
Lost Between CutsCommercial for BytePlus, 2026
An official commercial for BytePlus, made with Seedance 2.5 for its launch campaign.
The Story
Yamaha TMAXAI VFX
Both together: AI visual effects for Yamaha’s TMAX commercial.
The StoryThe next picture on the programme could be yours.
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